Musical Interlude

January 8th, 2007

I confess that I’m not into nu-metal, but I’m really diggin’ the stylings of Stuck Mojo.

Check out “Open Season” (and the slammin’ remix). And as for the overreacting PC-playa-haters, who “CAIRs” what they think?

(hat tip: LGF)

Related: CAIR dodges the tough questions (and reveals its anti-Israel bent) on CNN.


James Brown, R.I.P.

December 27th, 2006

James Joseph Brown, Jr. (1933-2006)

On Christmas morning, the music became a whole lot less funkier:

James Brown, the singer, songwriter, bandleader and dancer who indelibly transformed 20th-century music, died early yesterday in Atlanta. He was 73 and lived in Beech Island, S.C., across the Savannah River from Augusta, Ga.

Mr. Brown died of congestive heart failure after being hospitalized for pneumonia, said his agent, Frank Copsidas.

Mr. Brown sold millions of records in a career that lasted half a century. In the 1960s and 1970s he regularly topped the rhythm-and-blues charts, although he never had a No. 1 pop hit. Yet his music proved far more durable and influential than countless chart-toppers. His funk provides the sophisticated rhythms that are the basis of hip-hop and a wide swath of current pop. [...]

Through the years, Mr. Brown did not only call himself “the hardest working man in show business.� He also went by “Mr. Dynamite,� “Soul Brother No. 1,� “the Minister of Super Heavy Funk� and “the Godfather of Soul,� and he was all of those and more.

His music was sweaty and complex, disciplined and wild, lusty and socially conscious. Beyond his dozens of hits, Mr. Brown forged an entire musical idiom that is now a foundation of pop worldwide.

“I taught them everything they know, but not everything I know,� he wrote in an autobiography.

The funk Mr. Brown introduced in his 1965 hit “Papa’s Got a Brand New Bag,� was both deeply rooted in Africa and thoroughly American. Songs like “I Got You (I Feel Good),� “Cold Sweat,� “Get Up (I Feel Like Being a) Sex Machine� and “Hot Pants� found the percussive side of every instrument and meshed sharply syncopated patterns into kinetic polyrhythms that made people dance.

Mr. Brown’s innovations reverberated through the soul and rhythm-and-blues of the 1970s and the hip-hop of the next three decades. The beat of a 1970 instrumental “Funky Drummer� may well be the most widely sampled rhythm in hip-hop.

Mr. Brown’s stage moves — the spins, the quick shuffles, the knee-drops, the splits — were imitated by performers who tried to match his stamina, from Mick Jagger to Michael Jackson, and were admired by the many more who could not. Mr. Brown was a political force, especially during the 1960s; his 1968 song “Say It Loud — I’m Black and I’m Proud� changed America’s racial vocabulary. He was never politically predictable; in 1972 he endorsed the re-election of Richard M. Nixon.

Mr. Brown led a turbulent life, and served prison time as both a teenager and an adult. He was a stern taskmaster who fined his band members for missed notes or imperfect shoeshines. He was an entrepreneur who, at the end of the 1960s, owned his own publishing company, three radio stations and a Learjet (which he would later sell to pay back taxes). And he performed constantly: as many as 51 weeks a year in his prime.

The man and his music made us dance, made us feel good, and made us all proud (skin color notwithstanding). Warts and all, he lived up to the titles bestowed upon him by generations of fans and funkateers.

Fare thee well and thank you, Mr. Brown.


Joseph Barbera, R.I.P.

December 19th, 2006

Joseph Barbera (1911-2006)

A legendary animator whose cartoons entertained generations of audiences has passed away:

Joseph Barbera, an innovator of animation who teamed with William Hanna to give generations of young television viewers a pantheon of beloved characters, including Tom and Jerry, Yogi Bear, Huckleberry Hound and the Flintstones, died yesterday at his home in Los Angeles. He was 95.

A spokesman for Warner Brothers said he died of natural causes, The Associated Press reported.

Mr. Barbera and the studio he founded with Mr. Hanna, Hanna-Barbera Productions, became synonymous with television animation, yielding more than 100 cartoon series over four decades, including “Scooby-Doo, Where Are You?,� “Jonny Quest� and “The Smurfs.�

On signature televisions shows like “The Flintstones� and “The Jetsons,� the two men developed a cartoon style that combined colorful, simply drawn characters (often based on other recognizable pop-culture personalities) with the narrative structures and joke-telling techniques of traditional live-action sitcoms. They were television’s first animated comedy programs.

Before that, Mr. Barbera and Mr. Hanna had worked together on more than 120 hand-drawn cartoon shorts for MGM, dozens of which starred the archetypal cat-and-mouse team Tom and Jerry. The Hanna-Barbera collaboration lasted more than 60 years. The critic Leonard Maltin, in his book “Of Mice and Magic: A History of American Animated Cartoons,� wrote that Mr. Barbera’s strength was more in his drawing and gag writing while Mr. Hanna had a good sense of comic timing and giving characters warmth.

“I was never a good artist,� said Mr. Hanna, who died in 2001. But Mr. Barbera, he said, “has the ability to capture mood and expression in a quick sketch better than anyone I’ve ever known.�

Joe Barbera will be missed. Fortunately, Hanna-Barbera cartoons will continue to entertain everyone today and into the future.


There Was A BET Awards Last Night?

June 29th, 2006

Granted, I didn’t care much about it to tune in, though I heard that Chaka Khan gave an excellent performance.

Meanwhile

A kiss is just a kiss–unless that kiss happens to be a full-on lip-wrasslin’ tournament in front of thousands of viewers at the BET Awards.

Everybody was still buzzing Wednesday over the kiss that Jamie Foxx and Fantasia stole on Tuesday night’s show in L.A. The steamy lip lock came during “DJ Play a Love Song.”

And what did Mr. Foxx have to say about it?

“I didn’t expect it to be that intense, but I didn’t mind it either,” Foxx joked to mtv.com backstage.

Speaking of lip-wrasslin’, I guess attendees didn’t mind another public display of intimate affection that took place backstage… (via Babalu Blog)


Still Not Ready To Make Nice

June 18th, 2006

The Ditzy Twits Dixie Chicks still don’t get it as they continue to annoy country music fans and question the patriotism of their fellow Americans:

The Chicks can’t hide their disgust at the lack of support they received from other country performers. “A lot of artists cashed in on being against what we said or what we stood for because that was promoting their career, which was a horrible thing to do,” says [Emily] Robison.

“A lot of pandering started going on, and you’d see soldiers and the American flag in every video. It became a sickening display of ultra-patriotism.”

“The entire country may disagree with me, but I don’t understand the necessity for patriotism,” [Natalie] Maines resumes, through gritted teeth. “Why do you have to be a patriot? About what? This land is our land? Why? You can like where you live and like your life, but as for loving the whole country… I don’t see why people care about patriotism.”

Methinks the Chicks can pick a better country and leave if they hate America — and the people who love it here — so damned much. Let’s see how “ready” they are to “make nice” in another land where speaking ill of anything carries a criminal penalty (unlike that crazy, jingoistic U.S. of A., where freedom and tolerance for words we don’t like are actually guaranteed by some plain sheet of paper called the Bill of Rights!).

It’s one thing to bad-mouth the leader of your country on foreign soil and move on with the remnants of your career. The Chicks have a right to free speech just like every other American citizen. But with the right to free speech comes the responsibility to handle whatever criticism that may come as a result of that very same speech. The last time I checked, Maines, Robison, and Martie Maguire weren’t exceptions to the rule, as much as they would like to be.

However, it’s another thing to piss on the fans and musicians in your genre who helped pave the way for your success. While many “rebel” country musicians manage to speak their minds without alienating their fanbase in the process, the Chicks have become the judgmental elitists they claim to hate.

And the suggestion of switching over from country to rock will also lead to further disappointment for the Chicks, being that a lot of rock-n-roll rebels happen to be patriots too.

(link via Michelle Malkin & Sister Toldjah)

Update: Tammy Bruce explains to the Chicks (if they’re so inclined to read) why “we goofballs so love this country”. RTWT.

In Comments: An angry Chickista vents (ooh, I’m so scared! :-D). Being the “heartless S.O.B.” that I am, I thought I’d make mention of it…


The Fans Have Spoken…

May 6th, 2006

…and once again Han Solo shoots first, as the original, unaltered Star Wars movies will be released on DVD (in limited batches) this Fall.

(link via James Hudnall)


June Pointer, R.I.P.

April 12th, 2006

From Reuters:

June Pointer (1953-2006)June Pointer, youngest of the four Pointer Sisters who went from teenage gospel singers to the top of the pop charts with such hits as “Fire,” “Slow Hand” and “I’m So Excited,” has died of cancer at age 52, a family spokesman said on Wednesday.

Two sisters, Ruth and Anita, and two brothers, Aaron and Fritz, were at her side at the UCLA Medical Center in Santa Monica when she died, the spokesman said.

Her third sister, Bonnie, was unable to be present, the spokesman added. The type of cancer was not disclosed.

Condolences and prayers go out to the Pointer family.


Wealth Is Good

April 12th, 2006

Oprah Winfrey explains during a recent fundraiser speech:

“I was coming back from Africa on one of my trips,” she said. “I had taken one of my wealthy friends with me. She said, ‘Don’t you just feel guilty? Don’t you just feel terrible?’ I said, ‘No, I don’t. I do not know how me being destitute is going to help them.’ Then I said when we got home, ‘I’m going home to sleep on my Pratesi sheets right now and I’ll feel good about it.’ ”

The talk-show host also discussed an academy for girls that she’s building in South Africa. “I want to offer opportunities to girls who have nothing but the will to learn,” she said. “I’m going to be opening my school on January 2, and it will be one of the great days of my life to see 450 girls, most of them orphans who would not have had the opportunity for education in their lives, come to school.”

Oprah wouldn’t have been able to help others without having the means to do so. As a talk-show host and media entrepreneur, she has rightfully earned every penny, as well as the right to enjoy her financial status.

I don’t begrudge her or any other rich person the enjoyment of the fruits of their labor. However, those who are bent on class envy wouldn’t hesitate to do so by foisting guilt trips upon others who have more money than they do. Instead of dragging the rich down to their level, they should learn how to be successful, strive for excellence, and rise to the occasion.

Being rich isn’t a crime — nor should it be.


If You Can’t Stand The Heat…

March 13th, 2006

The voice of Chef leaves the South Park kitchen:

Isaac Hayes has quit “South Park,� where he voices Chef, saying he can no longer stomach its take on religion.

Hayes, who has played the ladies’ man/school cook in the animated Comedy Central satire since 1997, said in a statement Monday that he feels a line has been crossed.

“There is a place in this world for satire, but there is a time when satire ends and intolerance and bigotry towards religious beliefs of others begins,� the 63-year-old soul singer and outspoken Scientologist said. [...]

“South Parkâ€� co-creator Matt Stone responded sharply in an interview with The Associated Press Monday, saying, “This is 100 percent having to do with his faith of Scientology… He has no problem — and he’s cashed plenty of checks — with our show making fun of Christians.â€� [...]

Stone told The AP he and co-creator Trey Parker “never heard a peep out of Isaac in any way until we did Scientology. He wants a different standard for religions other than his own, and to me, that is where intolerance and bigotry begin.�

“South Park” pokes fun at everything and anything. Scientologists should lighten up and learn to take it on the chin — just like everybody else does — if they want to be taken seriously.

Update (3/21): Did Hayes really quit the show, or was it just the body thetans talking?


Gordon Parks, R.I.P.

March 7th, 2006

From ABC News.com

Gordon Parks (1912-2005)Gordon Parks, who captured the struggles and triumphs of black America as a photographer for Life magazine and then became Hollywood’s first major black director with “The Learning Tree” and the hit “Shaft,” died Tuesday, a family member said. He was 93.

Parks, who also wrote fiction and was an accomplished composer, died in New York, his nephew, Charles Parks, said in a telephone interview from Lawrence, Kan.

Related: IMDB Profile, Wikipedia Entry


No Oscars Tonight

March 5th, 2006

I’m tuning out this year’s broadcast, as I only saw one of the nominated films (”Crash”), and I already know what to expect from tonight’s attendees (via Jim Rose).

In the meantime, I’ll relax with some choices from the DVD library, and catch up on the “Brokeback Mountain” parodies instead…

Update: I thought “Brokeback” would be a shoo-in for Best Picture


Don Knotts, R.I.P.

February 26th, 2006
Jesse Donald Knotts (1924-2006)

What more can be said of the man, except he made us laugh. That is honor enough.
quote from Infinite Monkeys


Shifting The Blame

February 17th, 2006

Las Vegas City Life recently published a guest commentary by Andreas Hale. In the commentary, Hale attempts to blame the murder of Metro Police Sgt. Henry Prendes on racism and downplay the negative effects the “gangsta” culture has on rap music in general.

I’m not feelin’ it one bit.

Who is responsible for the tragic events of Feb. 1 that ended with the deaths of Amir Crump (a.k.a Trajik) and Metro Police Sgt. Henry Prendes?

Who do you think is responsible? Everyone in town knows damn well that Amir “Trajik” Crump was responsible. He shot and killed a cop in cold blood. End of story.

Aside from what is obviously known, there are other circumstances surrounding those deaths that haven’t been addressed. Like our society’s history of violence, for example.

That’s funny. It was common knowledge that the circumstances surrounding those deaths was Crump’s history of DOMESTIC VIOLENCE — which wasn’t addressed in the op-ed.

Crump was beating the crap out of his girlfriend in a fit of rage, and she called the cops. This was NOT the first time Metro had responded to a domestic violence call when “Trajik” decided to take his frustrations out on his significant other.

Society didn’t tell Crump to engage in domestic violence, nor did society tell him to kill a cop. Crump made those choices on his own. He created the circumstances surrounding those deaths. He was ultimately responsible.

It is a well-known fact that the police and the African American community haven’t exactly been the best of friends over the years, especially with regards to the hip-hop generation. A number of African Americans have been brutalized at the hands of the police.

That statement has ABSOLUTELY no relevance to Prendes’ murder. Crump brutalized his significant other, then brutalized his entire cul-de-sac, killing one cop and wounding another in the process.

Whether shot, unlawfully searched, accused, harassed or simply beaten, the police have shown their stripes from time to time and have instilled a fear within the African American community. Did Crump’s fear of the police play a role in the events? If he believed the police did an honest job of “serving and protecting,” would he have fired those fatal shots?

Crump wasn’t being unlawfully searched, accused, harassed, or beaten at the time. After beating his girlfriend with a broomstick, he went into his house and waited for the police to arrive — heavily armed and loaded for bear.

According to Metro records and eyewitness accounts, Prendes approached the front door and was gunned down by Crump. Crump then unloaded 50 more rounds from his semiautomatic rifle on police, went upstairs, and started shooting down on officers as they attempted to rescue Prendes. It took a rifle shot from a Gang Unit officer to take Crump out.

Metro Police followed procedure and shot Crump in self-defense. They would’ve followed the same procedure if the suspect was white. To infer that racism played a part in the incident is asinine.

Crump wasn’t killed because he was black; he was killed because he became a homicidal threat to others.

[snip]

Rappers embrace an image that might not truly reflect who they are because artists who portray the negative, stereotyped image are more likely become popular and get the big record deals. On the other side of the coin is the notion that some rappers are indeed violent and cause people to fear anything remotely hip-hop. If the media didn’t push this image, and rappers didn’t have to pose to get recognition, would Crump have undertaken the violent persona?

That’s a cop-out and you know it. Rappers are SOLELY responsible for the images they project, for better or for worse. You can’t tell the differences between the posers and the real deal nowadays.

Dave Rosen (manager of Trajik’s group, Desert Mobb) told the Review-Journal that Crump was a peaceful person and his persona was just a “pose.” He also stated violent lyrics “just kind of go along with the music.” Knowing that should put these events even more in perspective.

Oh yeah. He was a peaceful person who became the monster he rapped about. He was a peaceful person who battered his girlfriend on several occasions. If he was so peaceful, why didn’t he control his anger? Why did he engage in domestic violence and kill a cop?

If it walks like a thug and talks like a thug, it is a thug. Crump died as a thug; not as a poser.

The most sickening thing about this whole ordeal is now Desert Mobb CDs are selling at a rapid pace.

Agreed. It’s a damn shame — and it’s morbidly sick of people to idolize a dead domestic batterer and cop killer.

This further reinforces that negativity and hip-hop are peas in a pod in the public eye. Crump’s death has validated him to many ignorant people who are impressed by death. Yet the only ones who should be mourning for Crump are his close friends and family. Death by violence and cop killing should not be idolized by the public. True fans of hip-hop know that and will not allow this event to define rap music.

Finally, some sense is being made.

As for the hip-hop community, crimes like the above should be denounced. What hip-hop needs desparately is a revival of the Stop The Violence Movement.

Unfortunately, the media has linked the fact that he is a rapper who killed a cop and placed the blame squarely on rap music’s shoulders.

He was a rapper by trade, and he killed a cop. Sadly, rap music is stigmatized. It is what it is.

Can I blame the media and society? Yes and no. Crump was a man before he was a rapper. Society and the media linked the two together and thus, have given rap music another black eye. But we cannot remove the responsibility from the audience that has embraced the negative and shunned the positive. This should teach us all that we have a long way to go before we truly understand one another.

Again, it is what it is.

Crump was neither a man or a rapper when he died. He was a batterer and a cop killer. He died a thug’s death.

If rap music wants to end the black eyes such deaths bring, “gangsta” rappers need to be held accountable for the images being perpretrated by their fellow artists. Rappers should be denouncing such violent crimes en masse, and start being responsible for their products — especially those products that glorfy the “gangsta” lifestyle that includes misogny, domestic violence, hate, and murder.

Rappers need to start policing their own, or law enforcement will do it for them.


Media, Media, Media, Crap

January 24th, 2006

All in the aforementioned order:

  • Disney Buys Pixar: I’m really hoping for the best on this deal. Hopefully, Pixar will be the swift kick that Disney needs to re-energize the company’s abandoned animation division. Lair Simon thinks otherwise.
  • UPN and The WB Both Call It Quits: If you can’t beat the big four networks, merge into a new fifth network.
  • Paramount Televison Gets Rebranded: First it was NBC Universal, now there’s CBS Paramount. Memo to Disney: Please don’t get any wild ideas.
  • Kanye Doesn’t Care About Religious People: Glenn Reynolds wins the Quote-Of-The-Day Award:

If Kanye West had balls, he’d pose as Mohammed, instead of Jesus. But he doesn’t. Efforts to be controversial have become so predictable. Yawn.

Anything else interesting going on? Discuss.


Wilson Pickett, R.I.P.

January 19th, 2006

The soul music legend died today at the age of 64:

Pickett — known as the “Wicked Pickett” — became a star with his soulful hits in the 1960s. “In the Midnight Hour” made the top 25 on the Billboard pop charts in 1965, and “Mustang Sally” did the same the following year. [...]

Pickett was defined by his raspy voice and passionate delivery. But the Alabama-born Pickett got his start singing gospel music in church.

After moving to Detroit, Michigan, as a teen, he joined the group the Falcons, which scored the hit “I Found a Love” with Pickett on lead vocals in 1962.

He went solo a year later, and would soon find his greatest success.

In addition to the above hits, “Engine Number Nine”, “Don’t Knock My Love”, and “Don’t Let The Green Grass Fool You” are among my personal favorites.

Soul Heaven has just gotten a bit more funkier…